Electrical moonlight melted on the sky, droplets effluxing, slobbering on black road; back alley steam erupting, cries of pain, screams of desire and some freak playing the Exorcist soundtrack in the distance, disrobing my perception. This city seemed dead. A nightmare. But is is my love, where I thrive. I savor nights like this: a night for ingression. To ingress into. To infiltrate. An introgression was eminent, I could taste it. The moonbeams tasted of honey while my attitude was molten—explosive, deadly, inorganic— yes inorganic. I call this my plastic mood. My demeanor flexible like polypropylene, extruding thermoplastic thoughts, disgorging resinous ooze across the walls of my psyche.
I spent all day watering my mind-garden, tending thought-crops, trimming theories, dousing deliberations and napping under my soul tree. I’ve designed and built cities unseen by anyone, forged armies of ideas and lived through an eternity of confidential wars, betwixt my many selves. But like everyone, I was tired of crawling through my own mind and wanted to find a new fissure. I want to seep inward, become a new creation. So I walk this chasm of night in search . . . wicked hunter.
Though I felt no effects, yet, I inserted a seventh peyote button (A spineless, dome-shaped cactus (Lophophora williamsii) native to Mexico and the southwest United States, having buttonlike tubercles that are chewed fresh or dry as a narcotic drug by certain Native American peoples. Also called mescal.) in my mouth. I chewed it intently sucking its hallucinogenic fluids, swallowing its powerful elixir. I walked unafraid in this netherworld, alone, knowing only the unknown was inevitable.
Rain began to mist, small droplets cooling my face among this mucid alley. I felt eyes upon me, above me, beneath me, everywhere. The voices of the dead humming. An uneasy complexion draped across my thoughts, but I refused fear. There’s nothing to be afraid of out here. Sure I felt safer at home in my own mind, but I wasn’t there. The feeling was a shadow. Someone, or something was near. I’ve never done peyote. What a fool I am, experimenting with potentially dangerous psychotropic drugs by myself far from home, alone in the blackened labyrinth of midnight. Feeling inspired, I composed poetry:
Species of Thought
My species of thought; brewed by witches
in cerebral cities thrive
composing insanity
humanity
splattered
an entire race of dreams
bloodline memories
ancestral notion falsified
devotion
to
myth
sorcerer of faces chiseled
pre embryonic
as deformed
of lineage
long dead forgotten
cultivating propagating; imaginary breed
warless armies of intention
internal ascensions
external damnations
interspaced; fragments misplaced
more than eternity; limitless
spawned fountains; mental mountains
in augmented altitudes; all while
sinking
in
nothingness
A twisted figure choked from brick wall began running towards me. High pitched sirens wailed, splintering through my skull, heart pounding, palms sweaty. It came quickly. I was afraid. Before a blink completed it was on me, a man splattered in viscous green sludge, horrifying fear burned into his face, “Run . . . run for your life!”
A strange aroma belched, an outbreak of acrid flavor, discharged from nowhere. Drums of voodoo sputtered in hypnotic rhythms through stone jungle, bellowing howls and bony fingers crackling. Satan’s hand screamed across the sky in cyclonic inferno, blistering fires tonguing, ripping the fabric of reality, bleeding the wind, shredding open gorge. Hell’s schism. Gateway to eternal damnation.

Voodoo Bellydancer
In Lucifer’s grasp: voodoo goddess shrouded in sweltering scarlet, trumpets of arrival wielding melodies of evil, tetrachords in orchestral pain, exotic harmonies and pulsating textures of witchcraft gently folding her onto reflective pavement. She wore a skirt of knives, roses in her hair, necklaces of emerald flame and scorching crimson eyes. She bore midnight flesh and looked of Jamaican descent, plump lips and wicked edge—my secret bellydancer born of twilight and gifted by the devil.
She made psychic love to me as she danced, bare feet scribing geometries of madness, complex patterns of insanity, pleasure’s exodus. Congo drums pounded, swirling dimensions of instinct, enslaved to her. I desired her. The world stopped in dead silence. She and I embraced, a slow kiss, heated and moist. Her hands sculpting designs of intoxication upon my flesh. Together . . . we pulsated.
Her raspberry tongue twirled in my mouth, juiced lips melting me and engrafting me in lust. I collapsed beneath as she crawled atop making satanic love to me. An orgasmic rush of madness churned my innards as I erupted inside her. I ingressed within her. An introgression of totality as she digested all expulsion. I closed my eyes. She washed across my soul in the supreme clutch of delication. Overcome with woman and lustful brutality, I opened my eyes. My orgasm now in grand finale as I copulate with demonic nymph, midnight voodoo bride, infestation of witchery.
She squatted above me as I lay naked in rat infested streets, mind gnarled in hallucination. A vulgar twitch rippled through her gut as she excreted viscid gel laying three glistening black eggs upon my chest. The fetid stench of sulfur gagged me but retch I could not. I peeled them; bleeding blood yolk, devouring her seeds—her embryos—stagnant black eggs of wretched mindcraft.
We awakened together in crisp sheets, warmed by love and supple embrace. She arose from bed and stood naked before me. A storm of locusts dressed her and seethed into midnight skin as an army commanded in absolution. She said, “Gotta get my ass street side honey, last night was stellar.”
“Thank you, whoever you are.”
She blew me a kiss, dancing flame swirled as turquoise butterflies and sugared my lips. Hunger quelled, satisfaction acquired.
She gently voiced, “You already know who I am.”
*The picture is Evil Woman by Vicki-Pix
*I don’t believe in the devil
*I’ve never taken peyote



#1 by Selma at January 19th, 2009
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Very powerful. You achieved your objective and more as the whole thing climbed to a kind of Gothic climax. Whew. Spectacular!
#2 by Revellian at January 19th, 2009
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Thank you Selma! You made my day. I sometimes wish I could write differently than I do–or control it–but it comes out and I cannot stop it.
#3 by Jennifer at January 19th, 2009
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You have a definite style, which I would describe as atmospheric — though the atmosphere is often dark (metaphorically). And there is always a sense of humor behind it, twisted and complex. I was in the mucid alley … and I was scared! At least momentarily.
I also liked the conclusion, after all that intensity.”Gotta get my ass sidestreet, honey.” It made me laugh.
#4 by Revellian at January 19th, 2009
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Thank you Jennifer! My day is now double good! I wrote this rapidly, but then edited parts a dozen or more times. The first version was just too repulsive, the vibe wasn’t right. I literally was in the scene (mentally) and the answer came.
I love unusual endings that leave questions and sensations. I am having so much fun writing today! Thanks
#5 by teeni at January 19th, 2009
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I enjoyed this and yes, I noticed the sentence fragments. LOL. That is one thing I always appreciate in your writing, Bobby. I never see cliches here, only the original thoughts of your own mind. And I’m glad that you are having fun writing as you mentioned in your reply to the comment above.
#6 by Revellian at January 20th, 2009
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Thanks Teeni! The funny thing about clichés–in the writing/screen writing field, clichés pay the bills. 95% of all writing, television, movies and poetry is cliché–it’s what people want and expect. A surprise ending with inventive twists is a cliché. I’m just a writing infant and one day hope to transcend all robotic, repetitive rearrangement of tired old ideas already done a billion times. You can become a rich, famous and historical writer and still be a plagiarist cliché
#7 by Eric "Speedcat Hollydale" at January 20th, 2009
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Amazing how words can relate such a vivid portrayal of the minds imaginative forces. I see this story as partial truth filled with cereberal glue to fill the cracks.
Hauntingly sureal Bobby.
#8 by Revellian at January 20th, 2009
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Thanks Eric! Well, this story is composed entirely of fallacious fabrication–no truth in there–but I love the idea that is could be speckled with a little honesty! No beginning, no end, no glue–just cracks
#9 by Melissa Donovan at January 20th, 2009
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This is a weird and intriguing little adventure. My favorite line was: “I spent all day watering my mind-garden.” The imagery is so intense, it’s almost overwhelming but it certainly does paint a vivid picture in my mind. It’s wild and I like it.
#10 by Revellian at January 20th, 2009
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Thank you Melissa! I’m glad you liked that particular line because it is central to the motivic motion. A few themes in play: mind-garden, species of thought, inward ingression (mentally inward, where I grow my crops, where eleven dimensions expand, endless expansiveness; cities, races, cultures and eternities are designed and flourish) thus the story is a metaphorical construct for endlessness and limitlessness–and how it’s much like potent, dark sex (to me). Our minds are bigger than all eleven parallel dimensions–more vast than everything known
#11 by Miss Moneypenny at January 20th, 2009
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Hi Bobby!
This is funny (irony) since I have suspected you might be a Voodoo Warlock for some time!
If drugs don’t cause your psychedelic hallucinations then a Psychedelic Voodoo Trance was my next guess!
Did U know that I can see into your mind? You can see my “video recording” of your Psychedelic Voodoo mind here: http://www.youtube.com/watch?v=c2xeUEhjeoQ
#12 by Revellian at January 20th, 2009
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Hey Debbie! In 3rd-6th grade, I was a Satanic priest into stuff like selling drugs, pimping my whores, slapping competitors around (who were older and in highschool)–I commanded respect, you know whats up…what time you thawt it wuz?
That video made my eyes quiver
#13 by paisley at January 20th, 2009
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priceless.. and the incorporation of some poetry…. quite a thrilling off ramp for you…. i loved it……
#14 by Revellian at January 20th, 2009
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Thanks Jodi! This entire piece is actually one massive poem…the titled poem within is simply to define the motif
#15 by Nina c. at January 20th, 2009
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that is some really powerful stuff! I was really sleepy and that woke me right up! You set a great mood and the words just flowed off the page. That was really beautiful, I truly enjoyed that.
#16 by Revellian at January 20th, 2009
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Nina! Thank you so much:) Sometimes a mood can define an entire story and the plot becomes almost irrelevant–like a painting in words
#17 by Evelyn at January 21st, 2009
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You know, Bobby, it’s odd how little tidbits in your writing pinch me (or slap me) when I read them. This one was alarming.
My NaNoWriMo novel talks about Peyote because marijauna didn’t fit as well. Why do you refer to it? I had never heard of it until this past November! I think this is the second time I’ve seen you use it. I have a bellydance outfit hanging in my closet (thank you eBay and FitTV for that idea, sigh). Why did bellydance suddenly pop up in your corner? Are you watching FitTV too?
I liked your writing, as usual, and was not at all troubled by fragments or anything of the kind. I like the artistic license that writers take and use effectively. I’m just a little creeped out by your “witchery” as it comes too close all too often. Congratulations, I suppose, are in order for your uncanny ability to connect with your readers.
#18 by Revellian at January 21st, 2009
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Thanks for reading Evelyn! I am very familiar with hallucinogenic drugs and have done lots of them when I was much younger (not anymore)–not to party, but for philosophical insight like shamans do. Peyote just popped in my head and I liked the exotic ambiance it added.
No I don’t watch FitTV (I’m not sure what that is). Actually, I made the story up as I went along. This story is a metaphor and is meant to be experienced as a painting, or poem.
Coming up soon, I’ll explain how witchcraft, the so called law of attraction and praying are essentially the same thing; how all are based and derived from the Zodiac and ancient mythology (one of my favorite subjects). I am heavily influenced by author Carlos Castaneda
#19 by Melinda at January 21st, 2009
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Bobby, I really liked this piece–it was so mesmerizing and sensual–and at the same time, there was such a dangerous air to much of it.
I wondered while reading it if you had ever done peyote (and yes, not suprisingly, I have also done this drug) because the essence of the peyote high was in this poem, which was impressive.
I really liked your reference to the mind garden–I think mine is in need of both watering and pruning–lol.
Melinda
#20 by Revellian at January 21st, 2009
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Thank you Melinda! I used to fight my own style thinking everything I write is similar, but I realize it’s just how I write–and I embrace it fully.
Never tried peyote, though I would have had I had the chance back in the day. I’ve don’t other hallucinogens and understand the kaleidoscopic realm. Mind gardens tend to be incredibly vast, pruning would be a monumental task . . . perhaps you should hire a few hundred extras to help LOL!
#21 by meleah rebeccah at January 21st, 2009
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My goodness. I knew you were talented, but WOW. This was fantastico!
#22 by Revellian at January 21st, 2009
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Aww thanks Meleah! I don’t believe in the idea of talent, just hard, hard work, being true to your own natural abilities and developing them–whatever they may be
#23 by Val at May 16th, 2009
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wow, this is simply beautiful. Very poetic, one of the best pieces of short fiction I’ve come across in a long time.
#24 by Bobby Revell at May 16th, 2009
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Thank you Val, I cannot thank you enough for simply reading my work
#25 by Alan at May 18th, 2009
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Good use of language in this one. Why do you choose to use hyphens instead of commas? Presumably a stylistic choice, but what’s the reasoning?
#26 by Bobby Revell at May 18th, 2009
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Alan, thanks so much for reading.That’s funny you mention that because I actually eliminated a gross overuse of hyphens from two other stories a few days ago but haven’t reedited this one yet. It was a bad habit, no particular reason. While writing my novel and proofreading chapters I became aware of how many I used when they were unnecessary and now when I read these older stories they jab me in the eye hahaha!
#27 by Alan at May 18th, 2009
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That’s great – cos they were jabbing me in the eye too! Nothing worse than being pulled out of a powerful narrative by something stylistic.
#28 by Bobby Revell at May 18th, 2009
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I’m editing all my stories when I have time. You live and learn!
#29 by Alan at May 18th, 2009
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Everyone lives – only the best and most determined learn. By learning, we improve.
#30 by Bobby Revell at May 18th, 2009
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Very true!